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  • firstvirtual 3:57 pm on December 3, 2008 Permalink | Reply
    Tags: , suspende el concierto en buenos aires   

    Suspende Madonna su primer concierto en Buenos Aires 

    Los organizadores del concierto informaron de un desperfecto técnico en uno de los aviones que traía parte de la carga fundamental para la realización del mismo.

    Reuters
    Publicado: 03/12/2008 09:03

    Buenos Aires. La estrella de la música pop Madonna suspendió el primero de sus recitales en Argentina, previsto para el miércoles, debido a que aún no arribaron a Buenos Aires parte de los equipos necesarios para el espectáculo, dijeron los organizadores.

    El recital suspendido, el primero de una serie de cuatro conciertos que la cantante dará en Buenos Aires, se realizaría el lunes próximo, informaron los medios locales.

    “El show de Madonna que se iba a realizar esta noche en el estadio River Plate se pospone debido a un desperfecto técnico en uno de los aviones que traía parte de la carga fundamental para la realización del mismo”, de acuerdo a un comunicado difundido por los organizadores del concierto.

    La cantante, que el martes mantuvo un breve encuentro con la presidenta argentina, Cristina Fernández, y con la ex rehén colombiana de las FARC Ingrid Betancourt, arribó el lunes al país como parte de su gira mundial “Sticky & Sweet Tour”.

    No se sabe que pasara con las entradas….

     
  • firstvirtual 12:58 pm on December 3, 2008 Permalink
    Tags: , ,   

    Teachit for December 

    We live in extraordinary times, as we keep being told. One week Gordon Brown announces a £400bn high street bank rescue package and the next Ed Balls casually cancels KS3 SATs. It’s enough to make you cast aside your best-laid plans and live for the moment.

    And so the theme for this issue is topicality. Choose something that you think matters in English at the moment, I said to the writers. Geoff Barton and Richard Durant take on the aftermath of the SATs while Ian McNeilly stands up for the rights of English teachers to ‘go off on one’. Julie Blake looks at the opportunities in the new curriculum for studying talk, and what that involves. Andrew Buckton is enthused by the move away from education’s long-standing mass production model, while Harry Dodds asks us to define for ourselves what learning English should involve.

    Big picture it is, irrelevant it isn’t. If by any chance your sense of perspective has gone a little blurry by this stage in the term, here’s where to regain it. Think of it as a big fat Christmas bonus.

    Have a tip-top-topical end of term.

    Katie

    Katie Green
    http://www.teachit.co.uk


    Apocalpyse now | Geoff Barton

    Geoff BartonIn the scrubby Midlands landscape of my childhood, I used to enjoy watching apocalyptic television programmes about life after a nuclear war. Survivors was the most famous (recently revived as a post flu epidemic on BBC1), but the seventies was full of them, with half-radiated people forming tribes, colonising derelict factories and fighting – literally – for survival.

     

    Well here we are. We suddenly find ourselves in the blinkingly bright and unimagined world of the post SATs era. Even the most hardened veterans of educational change hadn’t seen this one coming and I suspect all of us had a heart-stopping moment of thinking ‘So what do we do now?’Well, now, of course, it’s over to us. We’re now absolutely accountable for the progress of our pupils and there’s nowhere to hide. After all, this isn’t the end of assessment at key stage 3 – just the end of bad assessment.

    So what should the bright new landscape of the key stage look like?

    First, there’s an all-new National Curriculum to get to grips with, one which is designed to build our pupils’ skills and knowledge by breaking down the old bunkers of subject compartmentalisation. Whether we’re intending a two- or three- year Key Stage 3 experience for our pupils, there’s an opportunity to provide something rich, exciting and creative.

    If I was Head of English again, I’d be looking at the range and variety of texts we plan, getting digital and media texts into the department’s bloodstream, making sure pupils encounter a lively mix of new non-fiction genres (e.g. travel writing, sport, the writing of science). I’d want English lessons to be the hottest ticket on the curriculum, underpinned by a very clear rationale for which aspects of reading, writing and speaking and listening are the key levers in pupil progress.

    Discontent is the first step in the progress of a man or a nation.

    Oscar Wilde

    Because progress is what it’s all about. John West-Burnham once said that you could walk into any school and see lots of good teaching and lots of good learning; but only occasionally would you see them happening in the same classroom. Quite so. Learning means focusing on more than provision (i.e. what we teach) and looking instead at what and – crucially – how our pupils learn.

    So the brave new world of English needs a very clear methodology for ensuring pupils learn the bits that will help them to make individual progress. There’s lots to guide us – a revised and more interactive Framework for English; the excellent Assessing Pupils’ Progress (APP) materials; as well as commercial materials from lots of sources. It’s also a chance to demonstrate that real assessment – assessment for learning – is what will help our pupils to make real sustained progress and keep their parents appropriately informed.

    So what’s now blindingly clear is that – just like in those seventies sci-fi romps that caught my adolescent imagination – there’s nowhere to hide. We can’t blame badly designed tests for narrowing the curriculum or stunting our pupils’ interest and motivation. The ball is firmly in our court, with an exciting but unnerving responsibility to put together a curriculum which not only enthuses our youngsters, but also delivers the kind of progress that the moribund old curriculum and its leaden testing regime didn’t.

    It’s over to us.


    Long live the tangent! | Ian McNeilly

    “Isn’t it annoying when teachers try to teach you things that aren’t on the test?”

    So, this is what it has come to.  The above words were said during a recent pupil council meeting at my school. 

    Every man of genius sees the world at a different angle from his fellows, and that is his tragedy.

    Havelock Ellis

    The pupil in question was one we’d all like to have in our English class – sparky, funny, intelligent, critical, mature – and this is what education has done to her.

    The meeting was just for pupils and held in the school library. It’s not something she would have said to a teacher. She’s too polite for that. I just happened to be there and overheard her. But it came from the heart and my unintentional eavesdropping made me feel so sad.

    There is no one better placed to redress the balance than the teacher of English. Firstly, because there is no one more skilled at going off on worthy tangents than the passionate English teacher. Some of the best lessons I (and you, no doubt) have ever had are where even the sketchiest of plans go out of the uninspected window.

    I was supposed to be teaching ‘Half-Caste’ to my Year 10s this week until one of them piped up that a class mate had been selected to audition for the X Factor. So we all tried to write a 200-word news story about it to send to the local paper. Every single one of them will remember that lesson, especially the girl who was interviewed like a star for an hour – and there were some tangible English outcomes to boot.

    That’s what’s great about our subject. You can start off on a relaxing stroll to one destination and end up running wild towards (or to escape) another.

    Long live the tangent!


    After the ogre | Richard Durant

    When I heard that the SATs ogre had finally gone away, my first reaction was to frolic with all the other delighted fairy tale characters with whom I cohabit this Brothers Grimm education landscape. Well, I lie. That was my second and third reaction too. But then I began to wonder: how much of our habitual thinking about what we do is based on the existence of the SATs? Will we use our new freedom well?

    How can I know what I think till I see what I say?

    E.M. Forster

    In all the rejoicing over the ending of the SATs we shouldn’t forget this: just because the SATs were bad it doesn’t mean that there was nothing good about them, and it doesn’t mean we will automatically replace them with something better. Here I am thinking of teacher assessment. In its present form, APP is a rich suite of support materials and recommended approaches that could empower teachers in promoting assessment for learning. The assessment guidelines could provide a framework by which teaching, learning and assessing become a virtuous circle of improvement. As one contributor to Teachit’s Staffroom discussions comments: ‘The APPs seem to have worked to give us confidence and strategies in teaching the skills.’ The problem is signalled by that phrase, the APPs, which makes APP sound less like a philosophy and more like something more to do – a new course of hurdles to clear.

    Perhaps some people will even have cause to mourn the SATs. This last thought was prompted by my daughter’s boyfriend. He is in his mid-twenties now and was schooled in an urban comprehensive that shrunk and died. He tells me that he loved the SATs and he has a particular fondness for the English test. His teachers had written him off, lessons were a mess, but the SATs gave him the chance to disprove his teachers’ accustomed view that he was no good at English: he achieved level 6 and this gave him a passport into the top GCSE set where he went on to get a B. He is convinced that the SATs put his destiny into his own hands by allowing him to escape the confinement of low expectations. Just because the SATs were bad does not mean they were bad for everyone.

    There are people – well, ok, boys – who actually prefer to have their worth measured through rare, high-stakes tests rather than the misery of drawn-out continuous assessment. Many people need to learn in their own way: quickly at times, slowly at others. Sometimes not at all. They are the sort of student who can write, but not today thank you: they will save themselves for the test. Typically these are the ‘lazy’ students – all right, boys – who don’t hand in their homework but then do infuriatingly well in a test. Why should they not be entitled to a diet of tests?

    Now, if we are serious about personalisation, then surely we should accommodate the needs of this sort of student by making SATs-type tests available to them. We should allow them to show their worth through quick-fire tests that appeal to their sense of dash and daring. And all the other fairy tale creatures? They can slog their way through the APP marshes!


    It’s good to talk | Julie Blake

    Julie BlakeThe new National Curriculum orders have at last restored the study of language to a more meaningful place.  The English teaching profession’s memory can be long, and there may still be those for whom the mention of Kingman (1988) brings on an apoplectic turn, but the steadily increasing number of students choosing A Level English Language, and the gradual engagement of more teachers in its curriculum content, has perhaps provided a more positive perspective, one that might just ensure that the study of language – not as a functional skill, but as a source of curriculum pleasure and engaged enquiry – is permanently embedded in the subject at all key stages. 

    A Level English Language teachers routinely talk of the enthusiasm with which many students tackle the study of talk, and in the new English Learning objectives for Key Stage 3, this is one of the priorities.  The objectives move from straightforward identification of variations in spoken English in Year 7, to investigation and explanation in Year 8, and wider exploration across different cultural contexts in Year 9.  Students have a vibrant ‘on the pulse’ experience of spoken language variation, and are generally keen to explore and understand it, given half a chance.  Why do they change how they speak in different situations?  How do they talk in ways which include some and exclude others?  Why do some people in their community and others in different regions ‘talk funny’?

    The man who never alters his opinion is like standing water, and breeds reptiles of the mind. 

    William Blake

    The basic toolkit for this kind of study is some audio and/or video clips of people talking in different regions and different situations, some simple transcripts of these clips and some ideas about how spoken language works.  Easier said than done?  The LINC materials may date from the 1990s but they remain exemplary, and for language variation in different settings it is still hard to beat its day in the life of Bristol Royal Infirmary, with its footage including doctor-patient interactions, surgeons discussing football over an anaesthetised patient, and receptionists switching between cardiac arrest alerts and what to have for lunch. The LINC materials are available from r.peck@nottingham.ac.uk.  The Talk Talk unit in Teachit’s Language Library provides a talk sampler, a ‘week in the spoken life of’. Use it as a resource in its own right, or go one better and get students making their own. There is noth ing quite like transcribing your own data for getting up close and personal with how talk works. 

    Ron Carter, Professor of Modern English Language at the University of Nottingham, developed the LINC project and materials, and more recently worked on QCA’s publication The Grammar of Talk.  This brings teachers up to date with newer ideas about spoken language, though his excellent description is shackled to case studies of how this knowledge was rather spuriously bolted on to classroom ‘Speaking and Listening’ activities.  Let us be entirely clear here: the study of spoken language variation is curriculum content, in the way that Romeo and Juliet or a unit on persuasive language is; it is not primarily about improving students’ discussion or presentation skills. That is how it has been understood in some quarters, and resisted, but that misses the point. Talk is interesting.  It is a major field of enquiry in English Language study.  Students enjoy it.  Let’s do it …


    Moving away from mass production | Andrew Buckton

    Andrew BucktonThe concepts of ‘personalising learning’ and ‘system redesign’ are in at the moment.  In the field of SEN, there has been a real need to personalise learning because the pupils clearly do not fit in to the ‘one size fits all’ model and hence alternative curriculums, modified curriculums and differentiation have long been the name of the game. But personalising learning extends way beyond the remit of just ensuring pupils with SEN have access to a curriculum that meets their needs. It’s for everyone.

    About a year ago, I went on a conference in the Midlands. As I stepped in through the revolving doors of the nondescript conference hotel, little did I know how relevant and interesting the subjects of personalisation and system redesign would be. These topics are relatively new to the world of education but the theory behind them, eloquently presented by Professor David Hargreaves, is largely drawn from the business world. If your school, like mine, is affiliated to the Specialist Schools and Academies Trust (SSAT) you may be familiar with these new terms and the thinking behind them.

    Because things are the way they are, things will not stay the way they are.

    Bertolt Brecht

    In the world of business and production, Henry Ford introduced ‘mass production’. He worked out how much people could pay for a car and then built one to that budget, allowing for his profit. He also only made one model and famously said ‘you can have any colour you like as long as it’s black’.  The production line sprang into action and Ford’s cars were ubiquitous overnight. Today, however, you can choose from thousands of options when purchasing a car. You can choose any colour you like, including black (or metallic black?) and choose from all kinds of optional extras, engine sizes and trims to suit your own needs and budget.  In essence, the production process has moved from ‘mass production’ to ‘mass customisation’.

    Applying this to education, we have been working to a ‘mass production’ model called the National Curriculum! It was hoped in its conception that any pupil could move to a different part of the country and seamlessly fit in to the curriculum being taught at his or her new school. It was also hoped that pupils would all hit national expectations for progress and attainment, and that pupils would gain a certain level by a certain age. 

    We are now on the threshold of changing the bigger picture of what we offer to pupils and are beginning to work out how we might do that. How do we go about ‘meeting more of the needs of more of our pupils more fully than ever before’?

    To find out more and download resources visit the SSAT website:  http://www.ssatrust.org.


    Planning a curriculum | Harry Dodds

    Harry DoddsWhat do Teachit, Mark Boardman’s Language List and Wikipedia have in common?

    They all mobilise the power of digital communities to work together, to share, to deploy expertise in ways that relate to immediate, practical concerns. They’re about participation. However, Teachit and the Language List are about people pooling expertise to support the delivery of a curriculum: what would happen if the same energies could be devoted to planning a curriculum?

    English teaching is ready for another forward leap, but this time I’d like to see it driven by real teachers from real classrooms. Now that we’re becoming Web 2.0 users, that kind of participation should be easy and powerful.

    I’d like to see a new, radical document of entitlement for learners of English – a brief description, a couple of sides of A4, that pins down what English teachers think that English students need to know and experience.

    I know about writing statements of entitlement. They have their own momentum: they become atomistic, over-detailed, over-specified, and so big that no one can internalise them. The National Curriculum is a version of such a statement, but it’s a top-down document. Successive revisions have made it more humane and more useful, and developing the ‘four Cs’ as an informing presence seems a good way to go forward. However, I’m certain that English teachers could come up with something altogether more focused.

    Things alter for the worse spontaneously, if they be not altered for the better designedly. 

    Francis Bacon

    I’d like to see an entitlement statement that reflects and incorporates the good and improving practice in teaching and learning that the Strategy continues to bring about, perhaps revisiting some of the valuable insights we’ve lost along the way. What, for example, would the Bullock Report look like if it were re-interpreted for our present and future needs? What about the LINC materials?
     
    Can we devise definitions of literacy sufficiently comprehensive, not just for the present, but for the learning environment twenty years from now? Can we include robust requirements for criticality, to ensure that we educate our students to resist media exploitation, always a risk for the semi-literate? Can we recognise and value our students’ competence and creativity as practitioners in other ‘literacies’? Kids now use language in all kinds of social contexts, many of them electronic, most of them unknown when the National Curriculum was devised, and each with its own codes and requirements – how may that revolution be reflected? If that’s where language is going, English teaching should be there with it.

    This isn’t a revolutionary idea. Within living memory, we had ‘Mode 3’ CSE and GCSE examinations. Teachers, often in clusters of schools, wrote and submitted specifications to exam boards for approval, and were then left to run them. In my experience, they were responsibly devised and administered, served local needs, and offered rigorous and valid qualifications.

    I’d like to see this spark a debate in the Teachit Staffroom. Perhaps there are English teachers out there who could take the idea forward, maybe as a wiki or a blog?


    Webwatch | Rhiannon Glover

    Rhiannon GloverWhen I received my atypically open-ended Weblinks brief for this issue – to focus on anything topical or interesting for English teachers at the moment – I thought it would be easy.  But it’s actually been one of those times where you think it’s going to be nice to have a bit of freedom, a bit of creativity even, until you get it and end up feeling a bit lost. Which brings me neatly on to the topical end of SATs for KS3 RIP.  How we celebrated and then, gradually, we started to wonder – horror – what are going to do instead?  We started thinking fondly of all those schemes of work and resources we produced to make Shakespeare seem like the best thing ever to our Year 9s.  And they worked (well, for some of them, some of the time).

    I suppose that’s the lot of teachers isn’t it?  A new policy is introduced that we don’t like but, in spite of what we think about it, we work our magic, and, before we know it, we’ve created something brilliant. Which brings me, not so neatly, on to another topical issue for English teachers – functional skills. It’s hard to see how we’re going to make that brilliant right now but perhaps the QCA website’s information and Learning and Skills Network on functional skills will provide enlightenment.

    Right, on to more cheerful topics, namely Christmas.  I’m intending to do all of my Christmas shopping without leaving the house this year and, motivated by Teachit’s home page reference to the Wombles (eco warriors before their time), and the credit crunch, I shall be making good use of the ‘things that the everyday folk leave behind’ via eBay and the excellent Oxfam second-hand store which offers a  flat rate delivery charge of £3.50 on all its stock (including signed fiction). Even more worthy is Oxfam Unwrapped where for £8 you can donate eight books for children in countries where schoolbooks are scarce. Beats another scented candle or a comedy tie for a Christmas gift in my book!

     
  • firstvirtual 11:38 am on December 3, 2008 Permalink | Reply
    Tags: , , madonna multimedia, singers, sweet and sticky   

    Madonna Multimedia 

    Madonna at Roseland Ballroom

    The pop star celebrated the launch of her new album “Hard Candy” in an unusually intimate setting.

    Rock’s Newest Hall-of-Famers

    Madonna and John Mellencamp entered the Rock and Roll Hall of Fame in its 23rd annual induction ceremony.

    More Multimedia »

    Multimedia

    Beats and Hot Buttons

    Photos of Madonna’s first American stop on her Sticky and Sweet Tour.

    Madonna Over the Years

    Some style critics are wondering if Madonna, who was once a trendsetter, is beginning to lose her fashion credibility.

     
  • firstvirtual 11:29 am on December 3, 2008 Permalink | Reply
    Tags: , concierto madonna, madonna entradas, ticketek, venta entradas   

    Ticketek: Donde, cuando y como comprar las entradas para Madonna 

    MADONNA

    ESTADIO RIVER PLATE

    Madonna se presentará en el Estadio River Plate los días 3, 4, 6 y 7 de Diciembre en el marco del “Sticky & Sweet Tour” || Invitado especial: Paul Oakenfold

    Precios y costo por servicio

    ATENCION: Los precios pueden variar de una función a otra. Elija primero la función deseada en el menú de la derecha

    VALOR DE LAS ENTRADAS

    VENTA TELEFONICA

    Se realiza a través del 5237-7200
    De lunes a viernes de 9.00 a 22.00 hs., los Sábados de 10.00 a 21.00 hs. y Domingos de 10 a 18 hs.

    Puntos de venta HABILITADOS

     

    Aquí se podrá abonar en efectivo, tajetas de crédito y Visa Débito

    - Microcentro: Viamonte 560 Local 6
    Lunes a Viernes de 10 a 20.30 hs. Sábado de 12 a 20 hs.

    - Belgrano: Echeverría 2594
    Lunes a Viernes de 10 a 20.30 hs. Sábado de 12 a 20 hs.

    - San Isidro: Juan Marín 210
    Lunes a Viernes de 10 a 20.30 hs. Sábado de 12 a 20 hs.
    - Teatro Opera: Corrientes 860
    Lunes a Domingo de 10 a 18 hs.

    - Estadio Pepsi Music: Av. Del Libertador 7395
    Lunes a Domingo de 12 a 20 hs.
    Venta sin costo por servicio

     

    Los días miércoles 3, jueves 4, sábado 6 y domingo 7 de diciembre todos los puntos de venta habilitados atenderán en el horario de 10 a 20.30 hs, exceptuando al Teatro Opera que atenderá en su horario habitual de 10 a 18 hs.

     

    menores

    Abonan entrada desde los 3 años cumplidos.

    Pueden ingresar desde los 2 años cumplidos

    cantidad de entradas por persona

    hasta 6 (seis) entradas por persona.

    venta sin costo por servicio

     

    - Estadio Pepsi Music: Av. Del Libertador 7395
    Lunes a Domingo de 12 a 20 hs.

     
  • firstvirtual 11:20 am on December 3, 2008 Permalink
    Tags: 2010, audi, convertible cars, luxury, the car connection   

    2009 Geneva Show Preview: 2010 Audi A5 Cabriolet 

    While Detroit stews in Washington and the auto show season shifts into a darker gear, Audi’s brightening up the picture significantly with its new 2010 A5 Cabriolet, due out next year and previewed for the media today.
    2010 Audi A5 Cabriolet
    Walter d’Silva, Audi’s head designer, once called his A5 Coupe the most beautiful car he’d ever drawn. He’s topped it by removing the roof and transforming the two-door coupe into the 2010 Audi A5 Cabriolet. Aside from the convertible roof—fabric for compact size and to eliminate the tall, square tail that hardtop convertibles require for storage—the A5 Cabriolet and high-performance S5 Cabriolet stay in the A5 family with a strong, deep grille; a sideview like some sort of German Chevy Camaro; and a sexy rear end with just enough detail to accent its shape, not overwhelm it.

    Under the hood, the Cabriolet–which replaces the A4 Cabriolet–gets a trio of engines, including Audi’s turbo four, its V-6, and the new turbocharged V-6 coming to its “S” cars for 2010. In 2011, by the way, the S5 coupe from which the convertible is derived will also adopt the same 333-hp turbo V-6; for 2010, it sticks with its V-8 power. Quattro all-wheel drive and dual-clutch transmissions are offered on various models.

    A folding rear seat and a cloth top break the mold set by the Infiniti G37 Convertible, Lexus IS convertible and the BMW 3-Series Convertible. Audi says it saves weight and interior room.

    The 2010 Audi A5 Cabriolet and Audi S5 Cabriolet bows at the 2009 Geneva motor show; it goes on sale in the U.S. in the fall of 2009. Until then, steer over to our 2010 Audi A5 page for more photos and more information — and stay tuned for Detroit and Geneva auto show coverage.

     
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